Thursday, November 19, 2015

Friday November 19, 2015 Siddhartha Chapters 3 and 4

Wesley

Wesley
November 20, 2015 4AP
Siddhartha Assignment 3: To be completed for Monday, November 23, 2015
Read and annotate Chapters 5-6 and do the vocabulary and reading questions below:

VOCABULARY ASSIGNMENT 3 Siddhartha

Part I: Using Prior Knowledge and Contextual Clues
 Below are the sentences in which the vocabulary words appear in the text. Read the sentence.
Use any clues you can find in the sentence combined with your prior knowledge, and write what
you think the underlined words mean on the lines provided.

1. ... but in previous times all this had been nothing to Siddhartha but a fleeting and
illusive veil before his eyes, regarded with distrust, condemned to be disregarded and
ostracized from the thoughts, because it was not reality, because reality lay on the
other side of the visible.
_________________________________________________________________
2. No, this world of thought was still on his side, and it led to no goal when one
destroyed the senses of the incidental Self but fed it with thoughts and erudition.
_________________________________________________________________
3. Then all the magic disappeared from the young woman's smiling face; he saw
nothing but the ardent glance of a passionate young woman.
_________________________________________________________________
4. He ... learned that it was the grove of Kamala, the well-known courtesan, and that
besides the grove she owned a house in the town.
_________________________________________________________________
5. Kamaswami is beginning to grow old and indolent. If you please him, he will place
great confidence in you.
_________________________________________________________________
6. Kamaswami came in, a supple, lively man, with graying hair, with clever, prudent
eyes and a sensual mouth.
_________________________________________________________________
7. And remembering Kamala's words, [Siddhartha] was never servile to the merchant,
but compelled him to treat him as an equal and even more than his equal.
_________________________________________________________________
8. "If I ever go there again, ... friendly people will receive me and I will be glad that I
did not previously display hastiness and displeasure."
_________________________________________________________________
9. He saw them scold and hurt each other; he saw them lament over pains at which the
Samana laughs, and suffer at deprivations which a Samana does not feel.
_________________________________________________________________
10. You are Kamala and no one else, and within you there is a stillness and sanctuary to
which you can retreat at any time and be yourself, just as I can.
________________________________________________________________


Answer the questions using a mix of your own words and embedded quotes with page #’s.

1. When Siddhartha decides to be "present" in the world, what does he begin to notice
about it?



2. After leaving the presence of the Buddha, what is it that Siddhartha believes he must
gain for himself?


3. What does Siddhartha's dream as he slept in the ferryman's straw hut.



4. The ferryman tells Siddhartha that one can learn much from something. What?



5. When Siddhartha is tempted by the woman in the village, what stops him from
proceeding?



6. Who is Kamala?



7. Who is Kamaswami? Why does Kamala send Siddhartha to him?



8. What services does Siddhartha say he can perform for Kamaswami?



9. What is Siddhartha's attitude toward business?



10. To what does Siddhartha compare those who have no "stillness and sanctuary to which
[they] can retreat at any time"?





November 19, 2015
Siddhartha Chapters 3 and 4 reading assignment
Assignment 2: Due for tomorrow, November 20.
Read and annotate Chapters 3-4 (Gotama and Awakening) pp. 25-42
Read and annotate: The Bhudda and Bhuddism handout
Read The Quest handout
Complete the vocabulary and the questions on this sheet.

VOCABULARY ASSIGNMENT 2 Siddhartha
Part I: Using Prior Knowledge and Contextual Clues
Below are the sentences in which the vocabulary words appear in the text. Read the sentence.
Use any clues you can find in the sentence combined with your prior knowledge, and write what
you think the underlined words mean on the lines provided.

1. In the town of Savathi every child knew the name of the illustrious Buddha and every
house was ready to fill the alms bowls of Gotama's silently begging disciples.
_________________________________________________________________
2. ... and the two Samanas recognized him only by his complete peacefulness of
demeanor, by the stillness of his form, in which there was no seeking, no will, no
counterfeit, no effort--only light and peace.
_________________________________________________________________
3. You have renounced home and parents, you have renounced origin and property, you
have renounced your own will, you have renounced friendship.
_________________________________________________________________
4. Never has it been presented so clearly, never has it been so irrefutably demonstrated.
_________________________________________________________________
5. The Buddha's eyes were lowered, his unfathomable face expressed complete
equanimity.
_________________________________________________________________
6. Half smiling, with imperturbable brightness and friendliness, the Buddha looked
steadily at the stranger and dismissed him with hardly a visible gesture.
_________________________________________________________________

7. ... it was no longer meaningless and the chance of diversities of the appearances of
the world, despised by deep-thinking Brahmins, who scorned diversity, who sought
unity.
_________________________________________________________________
8. He was no nobleman, belonging to any aristocracy, no artisan belonging to any guild
and finding refuge in it, sharing its life and language.
_________________________________________________________________
9. He was no nobleman, belonging to any aristocracy, no artisan belonging to any guild
and finding refuge in it, sharing its life and language.
_________________________________________________________________







Chapters 3 and 4 reading questions

1. What is Jetavana?




2. By what qualities do Siddhartha and Govinda recognize the Buddha?




3. Why is Siddhartha not very curious about the teachings of the Buddha?




4. What is Siddhartha's response to Govinda's question about following the Buddha?




5. What does the Buddha warn Siddhartha to be on his guard against?




6. What separates Govinda and Siddhartha?




7. What does Siddhartha realize has left him "like the old skin that a snake sheds"?



8. What realization gives Siddhartha the feeling of awakening from a long dream?



9. After Siddhartha decides not to join the Buddha's community, from whom does he
choose to learn?



10.  After Siddhartha leaves Jetavana grove, where does he initially intend to go?
AP Close Reading Practice

Read the following passage from Chapter One of Siddhartha carefully before you choose your answers. In the passage, Siddhartha ponders his father ‘s dedication as a Brahmin and he questions his own path following in his father ‘s footsteps.

Did not he, who had thirst, have to receive a holy quenching of this thirst by drinking
time and time again at the sacrifices, at the books, at the conversations of the Brahmins?
Why did he, who was irreproachable, have to wash out his sins every day, have to
expend great effort once more to attain purification each and every day? Wasn’t Atman
in him; didn’t the ancient spring flow in his heart? The ancient spring must be found in
one’s own self; one must own it! Everything else was just a search, a detour; it was to
go astray.
Thus went Siddhartha’s thoughts; this was his thirst, his sorrow.
He often spoke to himself out of the Chandogya-Upanishad: “Verily, the name of
the Brahman is Satyam—in truth, one who knows this enters daily into the heavenly
world.” This heavenly world often appeared close, but he had never totally reached it;
never had he quenched the ultimate thirst. Furthermore, among all the wise ones whom
he knew whose teaching he had savored—even the wisest among them all there were
none who had totally reached the heavenly world, who had completely quenched the
eternal thirst.
“Govinda,” said Siddhartha to his friend, “Govinda, beloved, come with me among
the Banyan trees, and we will practice meditating.”
They went to the Banyan trees and sat down: here Siddhartha, and Govinda twenty
paces further. When Siddhartha sat down, ready to speak the Om, he murmured and
repeated the verse:
“Om is the bow; the arrow is the soul,
The Brahman is the arrow’s goal
That one should continuously hit.”

When the usual time for practicing meditation had passed, Govinda rose up. The
twilight had come and it was time to perform the cleansing of the evening hour. He
called Siddhartha’s name. Siddhartha gave no answer. Siddhartha sat with his eyes open,
immersed, staring with his eyes fixed upon a very far goal; the tip of his tongue stuck
out a little between his teeth and he didn’t appear to be breathing. Thus he sat, shrouded
in meditation, thinking Om, his soul sent out like an arrow after the Brahman.
Once, the Samanas pulled through Siddhartha’s town. They were pilgrims and
ascetics: three scraggly, worn-out men who were neither old nor young, with dusty and
bloody shoulders. They were nearly naked, singed by the sun, given over to loneliness,
strangers and enemies of the world, and estranged, gaunt jackals in the domain of
mankind. From behind them wafted a hot scent of quiet passion, of a duty that destroys,
of a merciless self-effacing.

1. In this passage, the metaphor of quenching “the eternal thirst” means most closely
(A) performing the ablutions.
(B) seeking enlightenment/salvation
(C) reincarnation.
(D) self castigation.
(E) sacrifice.


2. Siddhartha’s father is to the Samanas as

(A) moderation is to extremity.
(B) dedication is to laziness.
(C) Hinduism is to Buddhism.
 (D) reincarnation is to Samsara.

3. The Samanas as an archetype in Western literature would most closely resemble the

(A) beggar.
(B) hermit.
(C) priest.
(D) thief.
(E) wizard.

4. From the context and other clues available, the word, “Satyam” most likely means
(A) Brahmin.
(B) Om.
(C) Asceticism.
(D) Truth.
(E) Atman.

5. Which of the following quotations best gives the main idea of the passage?
(A) “Among them all there were none who had totally reached the heavenly world.”
(B) “He called Siddhartha ‘s name. Siddhartha gave no answer.”
(C) “This heavenly world often appeared close, but he had never totally reached it.”
(D) “Why did he, who was irreproachable, have to wash out his sins every day.”

(E) “His soul sent out like an arrow after the Brahman.”

Wednesday, November 18, 2015

Thursday, November 18 Siddhartha ch 1-2

To be completed by the end of class today...

ASSIGNMENT 1 for chapters 1-2 (pp 3-24) ofSiddhartha (to be completed by the end of class tomorrow)
Complete the vocabulary as a pre-reading activity
Read pp 3-24 and the handout on Hinduism
Complete the questions while reading pp 3-24

Homework 

  • Read Buddhism handout

  • In your composition notebook...Journal Entry One: Fully describe a goal you are working toward. What is the purpose of this goal? What will it help you to achieve after attaining this goal? What strengths do you possess that will help you along the way?

Tuesday, November 17, 2015


You can hand in essays between November 17-19; please staple the appropriate rubric (thematic or rhetorical analysis) from your assignment packet to the back of your essay.

Please bring in your drafts and peer reviews as well as your final. Staple the drafts and peer review materials into one packet, with the oldest papers on the bottom, the most recent draft at the top.

Also, submit a digital copy to turnitin.com

“Everything had changed suddenly--the tone, the moral climate; you didn't know what to think, whom to listen to. As if all your life you had been led by the hand like a small child and suddenly you were on your own, you had to learn to walk by yourself. There was no one around, neither family nor people whose judgment you respected. At such a time you felt the need of committing yourself to something absolute--life or truth or beauty--of being ruled by it in place of the man-made rules that had been discarded. You needed to surrender to some such ultimate purpose more fully, more unreservedly than you had ever done in the old familiar, peaceful days, in the old life that was now abolished and gone for good.”

― Boris Pasternak, Doctor Zhivago


Write about a time when "everything had changed suddenly" for you.


or



Write about following your bliss...but first you have to find it  What excites you? What gives your life meaning, purpose, vigor? If you're not sure, what do you think it could be? What would you most like to do/be with your life? What is your "bliss"? 


Was Winston or Julia heroic? Why or why not?





"A hero is someone who has given his or her life to something bigger than oneself"
-- Joseph Campbell
   


The usual hero is someone:
  • from whom something has been taken
  • who feels something is lacking from the normal experiences available or permitted to the members of his society  
Assignment for Tomorrow:

ASSIGNMENT 1 for chapters 1-2 (pp 3-24) of Siddhartha (to be completed by the end of class tomorrow)
Complete the vocabulary as a pre-reading activity
Read pp 3-24 and the handout on Hinduism
Complete the questions while reading pp 3-24


Samaṇa; The Pali word for shramana (a wandering monk; a shramana is one who renounces the world and leads an ascetic life for the purpose of spiritual development and liberation)


Satyam - truth

Om

Upanishad

Samaveda/ vedas 

Atman
Bramin - priestly class or member of the priestly class

Brahman - ultimate reality, god

Monday, November 16, 2015


Opening paragraph:

Meaningful title
So what? test  or Have you given the reader a reason to care?
Italicize 1984
Mention author and title before mentioning characters



Think of all the movies and books you have read, and ask yourself what makes a good heroic tale? List at least three elements.



Was Winston or Julia a hero? Why or why not?

Pick a movie you know well that has a hero: Hunger Games, Avatar, Star Wars, Harry Potter, Wizard of OZ, 

"A hero is someone who has given his or her life to something bigger than oneself"
-- Joseph Campbell
  


The usual hero is someone:
  • from whom something has been taken
  • who feels something is lacking from the normal experiences available or permitted to the members of his society  

The Hero’s Journey/Adventure:  
The Call to Adventure: Some heroes set out responsibly and intentionally to perform the deed prescribed by the journey. Other heroes are thrown into the adventure.  There are still other heroes who initially refuse the call to adventure, but eventually change their minds (if they didn't, there wouldn't be a story). No matter why the journey was undertaken, the hero is always prepared for the trials he faces.
The hero takes off on a series of adventures beyond the ordinary, either to recover what has been lost or to discover some life-giving idea/potion/remedy.  The journey is a cycle of going and returning.  The hero must move beyond known, conventional safety in order to undertake this journey.  
Supernatural Aid: Although the hero is ultimately the one who must face the challenges, he/she generally does not do so alone. In most stories, the hero will have a guide, someone who is wise in the ways of the world, and someone who will offer the hero guidance and wisdom as he/she progresses through the journey.
In addition to the guide, the hero will often have some kind of a talisman, some symbolic item that offers power or strength to the hero. 
Most heroes also have companions on their journey. The companions can serve a variety of functions. They may offer balance for the hero, they may help the hero in battle, they may help the hero learn valuable lessons. 
Crossing the Threshold: Early on in the journey, the hero will leave the world he/she has always known. The hero will leave what is familiar and venture into the unknown. As the hero leaves his/her familiar world, the hero will cross a threshold. Sometimes this is simply symbolic, but other times there will be some kind of physical barrier that the hero must get through. Threshold Guardians are those who would prevent those who are not ready for the journey from beginning. They may try to prevent the hero from leaving, or they may try to prevent the hero from entering into the new realm. Whatever side they are on, they will not let anyone pass who is not up to the task at hand,
The Initiation/The Road of Trials: The hero must prove to be worthy of hero status, and to prove this the hero will face a series of challenges or trials while on the journey. The trials fall into two main categories.
  • Two types of hero deeds:
    1.  The Physical Deed/external battles: The hero performs a courageous act in battle or saves lives.
    2.  The Spiritual Deed/psychological/internal battles: The hero learns to experience the supernormal range of human spiritual life and then comes back with a message.
The trials the hero faces are designed to see if the intending hero should really be a hero.  Is he really a match for the task?  Can he overcome the dangers?  Does he have the courage, the knowledge, the capacity to enable him to serve?  In addition, the hero learns something about his own character through his adventures.  
There are several different challenges the hero might face:
  • Brother Battle: Many heroes find themselves locked in battle, either physical or psychological with someone who is a "brother" whether a blood relation or a symbolic brother. 
  • Dragon Battle: Some heroes will battle literal dragons guarding their treasure, but other heroes will battle their inner dragons, the doubts and fears they have about their own ability. Whether literal or figurative, the dragons must be slain in order for the hero to complete the journey.
  • Abduction / Sea Journey / Night Journey: Often in the hero's journey, either the hero or someone close to the hero will be abducted and taken away. As the hero is transported elsewhere, or as the hero chases after the captors, the journey may take the hero over the sea or on a long night journey. Even if there is no abduction involved, most hero's are traveling great distances, so a sea journey or night journey is not uncommon.
  • Entering the Belly of the Whale: This is a reference to the story of Jonah and the Whale. When the hero is drawn deep into the journey and must face his/her greatest fear or the greatest evil, the hero is in the belly of the whale. For some heroes, they are literally in the belly of the whale, like Pinocchio, but for most this is symbolic.
  • Meeting with the Goddess: Many heroes will meet a woman of great power while on the journey. The Goddess may offer the hero wisdom, or she may offer a supernatural aid that will assist the hero has he/she faces the greatest challenges on the journey.
  • Sacred Marriage: The hero will often have a special connection with one character in the story, and this connection can serve as a motivation to the hero to continue the journey when all else seems hopeless. Sometimes the sacred marriage is literally a marriage, but often it is a symbolic union of two souls. 
  • Ritual Death or Dismemberment: In order for the hero to be transformed, he/she must give up his/her old life. Many times this is done through a symbolic death. In other stories, the hero will lose a limb, which will signify the loss of the old self. 
  • Atonement with Father: Many hero's have been separated from their fathers or do not know their fathers. The "father quest" is one motivation for a hero to begin the journey. One easy way to remember "atonement" is to think "at one," when the hero is "at one" with the father or the father figure. This often comes at the end of the hero's journey and is the stepping stone that helps the hero take his/her rightful place as leader in the society.
  • Apotheosis: This literally means the elevation of a person to the rank of a god or the glorification of a person as an ideal. After completing the difficult challenges, the hero is idealized or worshipped in some way.
  • Ultimate Boon or Magic Elixir: When the hero set out on the journey, it was because there was some problem. The Ultimate Boon or Magic Elixir is the solution to the problem. The hero is able, through brave deeds to procure this magic remedy and to solve the problem.
The Return: The hero's journey is a cycle that include a going and a return. However, the return is not always each. There still may be some challenges.
  • Refusal of Return: Sometimes the hero is content in the new world and does not want return to the old world. However, if the hero is to reach his/her destiny and take his/her place as leader, there must be a return.
  • Rescue from Without: As the hero tries to return the hero may find him/herself in a difficult situation that looks like the end of the hero's quest. Just when things look bleak, someone come to rescue the hero so he/she can finish the journey.
  • Magic Flight / Pursuit: Sometimes the hero wants to return home, but there are forces that would like to prevent him/her from doing that. 
  • Crossing the Return Threshold: While usually not as involved as crossing the initial threshold, the hero must still return to the old familiar world.
  • Master of Two Worlds: As the hero completes the challenges, the hero's bravery is noted by those around. As a result, the hero is often looked up to in the new world as well as in the old world. There are times when the hero returns to the old world and his/her message is unheard (especially if it is not what the society was expecting) or the achievements unrecognized. In this case, the hero may die or be killed, or sometimes returns to the other world.
  • Freedom to Live: If the hero is successful on the journey, and if the hero is accepted back into the old world, the hero will have the freedom to live. Such heroes are generally great leaders of their people.




Movie:

Separation
Call to Adventure:
How does the character receive the call to adventure?

Refusal of the Call:
Does the character accept the call immediately?

Answering the Call:
What motivates the character to accept the call?

Supernatural Aid


Guide/Mentor:
Is there a specific character who helps the hero understand the life situation or provides the hero with special training?

Talisman:
Is there a particular item that has special significance to the hero?

Companions:
Who is with the hero on his journey? How do these companions help the hero face the challenges?

Crossing the Threshold:
At what point in the story does the hero leave the familiar world and move into a new, unfamiliar circumstance?

Threshold Guardians:
Are there characters that try to prevent the hero from crossing over into the unfamiliar territory or circumstance?

Initiation / Road of Trials:
What specific challenges does the hero face?

Brother Battle:
Does the hero battle physically or mentally with someone who is a relative or close friend?

Meeting with the Goddess:
Does the hero meet with a character with special beauty and power?

Abduction: 
Is the character kidnapped, or is someone close to the hero kidnapped?

Night or Sea Journey:
Where do the hero’s travels take him?

Dragon Battle:
Does the hero battle some kind of monster? Does the hero have to face some inner demon?

Ritual Death or Dismemberment:
Is the hero injured and thought to be dead? Does the hero mistakenly believe someone close to him is dead? Does the hero suffer an injury in which he loses a limb or use of some other ody part?

Sacred Marriage:
Does the hero have a special emotional bond (it could literally be a marriage) with another character?

Atonement (“at one with”) with or Recognition by the Father:
Is the hero reunited with his father in some way?

Entering the Belly of the Whale:
Is there some point in the story where the hero must face his deepest fear or the darkest evil in the story?

Apotheosis (Deification): Is there a point in the story where the hero is held up as an ideal or where the hero is worshipped as a god?

Ultimate Boon / Magic Elixir:
Does the hero find some special solution to the problem he is attempting to resolve? This might be a magic potion or a key to something.

The Return
Refusal of the Return:
Does the hero initially refuse to return to the homeland or the place that he began the journey?



Magic Flight / Pursuit:
Is there some point (generally toward the end) where the hero is being chased or is otherwise trying to escape something?

Rescue from Without:
Is there so point in the movie, when all seems hopeless, when it looks like the hero is going to die, then suddenly he is rescued unexpectedly?

Crossing the Return Threshold:
Is there some point where the hero clearly returns “home”?

Master of Two Worlds:
Does it appear that the hero has conquered life in both the familiar and unfamiliar worlds?

Freedom to Live:
Since the hero typically begins the journey to resolve a problem, does it appear the problem is at last resolved so that all can live freely?