IV
AP: Rhetoric of Language and Composition
Orwell
1984 Essay Assignment
Wesley
Fall 2016
150
points
Length:
3-4 pages, double-spaced, Times New Roman
Due
Date: November 21, 2016 (1st draft due Thursday, 11/16; 2nd
draft due Friday, 11/17)
- WTH?! Why should I
still care about 1984 in 2016?! Each
year the 4AP team evaluates the books we are currently teaching and decides
whether to retain them as part of the curriculum for the following
year. Should we keep 1984? Some people view it as a World War II/
Cold War relic full of exaggerations and whose time has passed; others
believe it remains relevant as a powerful warning. Write an essay in which you argue for
keeping or removing 1984 from
the 4AP curriculum. If you argue to remove it, focus on what you believe
to be its primary weaknesses or irrelevancies. If you argue to keep it, choose one or
more issues addressed by Orwell in 1984
and write an essay which persuades your audience of the continued
relevance of Orwell’s writing as it relates to that/those issue(s) today.
General
Guidelines: Make
sure your argument is central; use the sources to illustrate and support your
reasoning. Avoid merely summarizing the sources. Support your argument with
references to 1984, as well as other
appropriate evidence and examples from your readings, observations and
experience. Indicate clearly which sources you are drawing from, whether
through direct quotation, paraphrase or summary. MLA format, one inch margins
on all sides. A minimum of five direct quotations, 3-4 pages (double-spaced,
Times New Roman, 12 point) minimum, an original title for the essay, submitted
to turnitin.com and a paper copy to me.
Other
Suggestions/Reminders
·
In
writing your essay, keep in mind that it is not necessary that you prove (or
disprove) every detail of Orwell’s portrayal of a particular issue has come
true (or not); rather, you should strive to convince your audience that students
(and society) today will benefit (or won’t) from reading the novel.
·
Use
evidence from the book as well as your own observations and reasoning to demonstrate
to your audience whether or not Orwell’s warnings remain relevant today. Where
appropriate, you may support your argument with quotes/information from
credible sources outside of the novel (e.g., New York Times, PBS Frontline,
CNN, etc), but this is not
required. Rhetorical decisions are
always situational, and therefore they differ from paper to paper. Consider whether your argument needs, or
would be strengthened by, the inclusion of outside sources. If you use outsider
sources, be sure to properly cite them (MLA format – see Purdue Owl) internally
and to attach a works cited document.
·
Some
issues Orwell addresses which you might wish to consider include but are not
limited to the following: politics,
warfare, extreme patriotism/nationalism/propaganda, torture, loss of
individuality, groupthink, personal relationships, limits on free speech, the
degradation of language, bread and circuses (e.g., formulaic literature and
music, sports, pornographic and violent movies/television, the lottery) as a
means of dumbing down and distracting the masses, technology/surveillance and
privacy issues, etc. Wherever possible,
focus on the impact of these issues they relate to the United States, as it is
often too easy to point out the problems of others and be blind to our own.
·
If
you are arguing against keeping the book, you might want to critique elements
of the book that you think are weak or irrelevant and you might also want to
propose a replacement novel or activity which you feel better addresses
students’ interests and intellectual needs.
- I like the way you
put that, George… (a.k.a., The Rhetorical Analysis Prompt) Pick
what you consider to be an important passage of two or more pages in
length and 1) explain why it is important and 2) explain how Orwell uses
language (rhetorical elements and strategies) to achieve what you perceive
to be his primary purpose(s) in the passage. In addition to articulating what you
perceive to be Orwell’s purpose in the passage, make sure to discuss that
passage’s role/relationship to Orwell’s overall purposes in the novel.
Make sure to choose a passage that is complex enough to allow you write a
strong paper (and get it approved by me first) that convinces your
audience of the significance of the passage and the power of Orwell’s
writing.
General Guidelines: MLA format, one inch margins on all
sides. A minimum of five direct quotations, 3-4 pages (double-spaced, Times New
Roman, 12 point) minimum, an original title for the essay, submitted to
turnitin.com and a paper copy to me.
Wait, who is my audience?
For all of
these papers, consider your audience to be your teacher, classmates, and
parents/guardians; however, I am your primary audience. Keep in mind that I am
essentially a stand-in for all of your future teachers and professors;
therefore, I represent a set of educated academics who value sharp, in-depth
thinking and clear writing.
Important Spin-off Assignment (10
points): In
addition to me, however, at least two other people read and comment on your
paper, including what they felt your strongest points were. One person should
be an adult and one should be another LT student. They should each provide a handwritten
paragraph at the end of your paper.
Other Reminders
You will
need to write a claim/thesis and this claim will need to address the “so what”
question. A claim is your argument.
Close
Attention to Paragraph Structure: Please remember that paragraphs have a
structure. You will need topic sentences, transitions from one idea to the
next, a conscious attention to how you order your information. What information
do you want to include in one paragraph? What should you then include in a
different paragraph and how should you make your move or transition to the next
paragraph? Use transition words to make this move easily.
Integrate
quotations from the text as evidence for your claim. Do not simply drop in the
citations; rather, nestle the quotations into your sentence and reveal a
fusion: you and Orwell. You should show how you are using the citation to prove
your point. You should have a minimum of 8 citations worked fully and thoughtfully
into your paper.
If you are
writing the rhetorical analysis essay, make reference to devices of rhetoric as
they relate to and support the meaning of the text/further your argument. It
makes no sense to highlight a simile or showcase repetitions or parallel
structure. But, it does make quite a bit of difference to say that Orwell
relies upon a series of animal images or similes to show that man is
dehumanized and reduced under a regime, under a boot that stamps down on his
individual and unique nature. It makes complete sense to discuss the way in
which Orwell uses symbols of paperweights or antique stores to show that
nostalgia is meaningful, to show that history matters, to show that we cannot
wipe out history and pretend that it did not happen.
Sentence
Structure: Be attentive to variety in your sentences. Do you have complex
sentences? Are you comparing and contrasting ideas in the text? Use
compare/contrast words, words that begin a complex sentence: When, Although,
Because etc.
Sometimes,
you’ll want a simple sentence for effect. Or a question. At this stage in your
writing you should know how to use a semicolon correctly. Look to see what
sentence errors have been indicated on feedback from summer essay, college
essay, and close readings. Try to make some changes for this essay.
ADVANCED PLACEMENT ENGLISH
The “AP Argument Rubric”
9-8
|
Superior papers. The central idea (thesis) is
intelligently chosen, focused, and developed with originality and
imagination. Discussion acknowledges complexities, ambiguity and
contradictions. Essay reveals a
sophisticated understanding of the passage/reading or topic. There is
clear-cut organization - a clear central idea which is logically and
skillfully subdivided (paragraphs), and developed by specific details. The evidence and explanations used are
appropriate and convincing, and the argument is especially coherent and well
developed. The sentences are clear and logical and varied in structure. The word choices (diction) are exact. The paper is all but perfect in grammar,
punctuation and spelling. In short, they are particularly impressive in their
control of language.
|
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7-6
|
Good
papers. These papers are not quite as thorough, perceptive or creative as 9-8
papers; nevertheless, the paper is built around a good, focused, central idea
(thesis). Essay reveals a strong
understanding of the passage/reading or topic. They are well-written but with somewhat less
stylistic maturity and control than 8-9 papers. Still, the sentences
on the whole are correctly and logically constructed, and the word choices
are reasonably exact. In short, while they demonstrate the writer's ability
to analyze a literary work or develop an argument, they contain less mature
prose and reveal a more limited understanding of the complexities of topic(s)
or theme(s) than do the papers in the 9-8 range.
|
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5
|
Adequate
papers. Sometimes rather safe, these
essays might not reveal the depth of insight or have the development that 6-9
papers possess. The central idea is adequate and relatively focused; however,
the discussion of meaning or development of argument may be formulaic, underdeveloped,
mechanical, or inadequately supported by the chosen details. Typically, these
essays contain less sophisticated insights and/or writing than the stronger
papers. Nevertheless, the writing
conveys the writer's ideas, stays mostly focused on the prompt, and contains
at least some effort to produce
analysis, direct or indirect. These essays reveal less control over
the elements of composition and are not as well conceived, organized, or
developed as the upper-half papers.
Sentences are at least logical and clear, even if they are not always
smooth. Word choices are generally appropriate, though with occasional
lapses. The essay is relatively free
of grammatical faults, although it contains some errors of punctuation,
spelling, and other mechanics. Essentially, the writing may contain lapses in
diction or syntax, but generally the prose conveys the student’s ideas.
|
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4-3
|
Marginal Papers. Discussion is likely to be unpersuasive,
perfunctory, underdeveloped or
misguided. The meaning
they deduce or the argument they develop may be inaccurate or insubstantial
and not clearly related to the question. Part of the question may be omitted
altogether. The writing may convey the writer's ideas, but it reveals weak control over such elements as
diction, organization, syntax or grammar. Typically, these essays contain
significant misinterpretations
of the question or the work they discuss; they may also contain little, if
any, supporting evidence, and practice paraphrase and plot summary at the expense of analysis or argument.
|
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2-1
|
These
essays compound the weakness of essays in the 4-3 range and are frequently
unacceptably brief. They are poorly written on several counts,
including many distracting errors in
grammar and mechanics. Although the writer may have made some effort
to answer the question, the views presented have little clarity or coherence.
ADVANCED PLACEMENT ENGLISH
The
“AP Rhetorical Analysis Rubric”
|
A
Guide to Mr. Wesley’s Writing Assessment Policy
To speed the grading process and encourage students to
learn to self-identify areas for improvement in their writing, I will do the
following when assessing papers:
-
Spend a maximum of 10 minutes reading and
assessing each paper; if issues with the paper require more time than that, I
will ask the writer to conference with me before or after school. Written
comments at the end of paper will be limited to a sentence or several bullet
points.
-
Most of my annotations will be brief and
simple; they are designed to alert the student to the presence of a strength or
an area that needs improvement; they are not intended to serve as specific
edits or revisions.
-
In the case of weaknesses/areas for
improvement, I prefer the writer first attempts to figure out what the problem
might be; if they can not identify and fix the problem, I encourage them to
schedule a writing conference with me. In my 18 years of teaching, I have
observed that most high school students can, with a little bit of direction,
identify their writing problems; if after a concerted effort, they can not
identify or figure out how to fix a problem, they should schedule a
face-to-face conference with me.
-
My most common (and briefest) annotations
are the following:
o
A
star in the margin indicates
something good
o
A straight line drawn
under a portion of text either simply acknowledges a point made or indicates
something done well
o
A minus sign (-) in the margin indicates
some sort of problem in the adjacent line/passage
o
A squiggly line under the text or in the
margin may also be used to indicate some problem
o
A circle may also be used
to indicate a problem, especially with spelling, lack of italics,
capitalization, or punctuation (or missing punctuation)
-
Occasionally my annotations will be more
specific:
o
means “well said” for something
particular astute and/or well written
o
means “awkward”
wording (syntax, diction, or both)
o
“S” or “syn” means a problem with syntax
(sentence structure)
o
“D” or “WC” means a problem with diction
(word choice)
o
“P” means a problem with punctuation
o
“I” means italicize
o
“?” means something doesn’t make sense or
is missing
Rewrite
Policy…
Student
must have completed all draft and peer reviews to be eligible for some form of
rewrite.
Rewrite
and revision work will be offered for most major process papers (and some
in-class papers) and the rewrite may take several forms; the type of rewrite
offered will be dependent on Mr. Wesley’s professional judgement about what
will promote the most learning while still being fair and reasonable for the
student(s) and teacher. Rewrite options
will typically be one of the following listed below, and Mr. Wesley will
determine which type of rewrite a student(s) a may complete.
1) Focused
revision targeting one or two specific skills
2) Complete
rewrite requiring a new paper in response to a new prompt or a completely new
approach to the original prompt
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